Concert Roundup: Band of Horses at Terminal 5, November 4

November 6th, 2007 sasebastian Posted in concert review, radiohead, bands, music, music-news No Comments »

Saw Band of Horses last night at a fairly new joint in NYC called Terminal 5. My buddies in the band Scratcher said they were a must see, so I had to check them out. Terminal 5 is a pretty cool venue, ran by the people who do Mercury Lounge, Bowery Ballroom, Webster Hall and the Williamsburg Music Hall. It’s very large open space with 2 balconies looking down at the stage-it kinda looks like the old Warehouse club in Manchester run by Factory Records. The sound needs to be tweaked, it’s pretty boomy until the room fills up. A band called Drone opened up, and they were exactly their name-a drone. They sucked real bad and almost put me right to sleep.

Band of Horses came out looking like they were right out of Williamsburg, Brooklyn, so I was ready to hate them-but they turned out to be OK. They were pretty good instrumentalists,  3 guitars, bass, keyboards and drums. The singer was OK, but kinda got grating after a while with his Polyphonic Spree-sounding high-pitched voice. They were kinda like an even more hippy version of Radiohead. Very moody and interesting, overall pretty good, but they had no hooks and no discernable choruses. I don’t see how they are so popular without the choruses and hooks. Actually, strike that. It’s music for pot smokers, that’s why it’s popular. They are sure to be popular with the whole hippy, Grateful Dead, jam band crowd.

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Free Agents Radiohead and Reznor - Things Falling Apart?

October 10th, 2007 sasebastian Posted in billboard, trent reznor, fmqb, artists, record companies, CD, radiohead, news, music, music-news, opinion, music business, bands, recording No Comments »

The last couple weeks have been real interesting with Radiohead announcing that they would be self-releasing their latest album, In Rainbows, and Trent Reznor telling people to steal his music and that he wants out of his contract. Finally the Radiohead album is out this morning and so is Reznor, he’s free of his contract with Interscope. So, has there been any fallout yet? You bet there has.

According to Billboard thousands have been downloading the new Radiohead album at an estimated voluntary price of £5 GBP. That’s right, voluntary price. Radiohead left it up to the fans to decide how much they would pay for a digital version of the album. According to Yorke, “The wonderful [thing] is that the consumer can decide how much a download is worth,” he added. “I’m not sure how much just a digital download is worth. I’m not sure 79p - the iTunes price - is the right price.”

This has prompted the following response from Guy Hands, from Terra Firma, the group that purchased EMI, “”a wake-up call which we should all welcome and respond to with creativity and energy.” He goes on to ask, “Why should [superstar acts] subsidize their label’s new talent roster – or for that matter their record company’s excessive expenditures and advances?”

Trent Reznor has said if could break free of his deal he would sell his CDs for as little as $4 USD. Now we wait and see what Trent is going to do. It is unsure when Trent will release a new album, especially since Year Zero is still fairly new, but Billboard says, “Billboard understands Reznor, in keeping with past practices, will not decide how to actually release, market and promote the next album until the music is finished.”

What does this mean for bands like NIN and Radiohead? It might mean a drop in sales, but it means a much higher profit margin, and less dependence on touring and merchandise sales to make a living. What a lot of fans don’t know is that while many bands get fronted thousands to millions to record an album, most only make 10-15% of 90% of the retail sales. That advance money gets paid back before they can make any money, and it gets paid back based on those percentages, not overall sales. So they get closer to 100% of the profits, but it also means that they incur the costs of recording, marketing, promoting and manufacturing and anything else the label would pay for.

What does this mean for the labels? If more big bands follow suit, then they won’t have those large album sales dollars to fund their infrastructure, and won’t be able to support signing new artist that currently lose them money. It could mean labels take even less chances with breaking new artists than they do now because they won’t have the money to invest.

What’s this mean for the rest of us? Who knows, but it’s definitely going to be a very exciting time to be in the music industry as things get further shaken up.

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